Holy Marys

Renaissance polyphonies
9 or 17 a cappella voices
DURATION:
1:00 Program
PERFORMERS

9 or 17 singers a cappella

This program pays tribute to the two major female figures of the Gospels: Mary, mother of Jesus, and Mary Magdalene, inexhaustible sources of inspiration for composers of the Renaissance.

The thread of this concert, a tribute to two great female figures, is first woven through the evocation of the Virgin Mary’s tears at the foot of the Cross, and those of Mary Magdalene at the tomb. This opening section presents some of the most beautiful pages of Italian and Spanish Renaissance polyphony, notably Lobo’s sublime Versa est in luctum, Lotti’s Crucifixus, and Allegri’s magnificent Miserere.

After Victoria’s grand Missa Salve Regina for eight voices, spatialized polyphonies for 4, 6, and 8 voices alternate with beautiful Gregorian antiphons.

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Upcoming show(s)
08/05
17h00
Abbaye Saint michel en Thiérache Festival
Holy Marys
Consort
Fortified Church, Eglancourt
Past show(s)
Tous les événements Voir tout
Program

Roland de Lassus (c. 1532 – 1594) Musica Dei Donum optimi
Alonso Lobo (1555 – 1617) Versa est in Luctum
Antonio Lotti (c. 1667 – 1740) Crucifixus
Gregorio Allegri (1582 – 1652) Miserere mei, Deus

Tomás Luis de Victoria (1548 – 1611) Missa Salve
1. Introït Me expectaverunt, grégorien
2. Kyrie
3. Gloria
4. Offertoire Ave Maria, grégorien
5. Credo
6. Sanctus
7. Agnus

Francisco Guerrero (1528 – 1599) Lauda mater Ecclesia
Antienne Ave Regina Caelorum
Tomás Luis de Victoria Ave Maris stella
Antienne Mulier, quae erat in civitate peccatrix
Tomás Luis de Victoria Magnificat Octavi Toni