Fauré’s Requiem

Tenderness, Joy and Peace: Around Fauré’s Requiem
Program for 12 voices and organ
DURATION:
1H20 Program
PERFORMERS

12 or 17 signers
Orgue ou Orchestre

Three composers whose music conveys a powerful message, in a work suffused with light and colour, where tenderness and gentleness intertwine. At its heart lies the hope of a joyful peace.

“A requiem as gentle as myself,” said Gabriel Fauré. Far from the drama of Verdi or the solemnity of Mozart, his Requiem is a work of light and tenderness. Composed after the passing of his parents, it does not convey the terror of death, but rather a serene vision of the afterlife. With its pure lines and infinitely gentle harmonies, Fauré offers music that caresses the soul and rises toward a horizon of hope.

This program, constructed as an inner journey, begins with Poulenc’s Litanies à la Vierge noire, a prayer stripped down and fervent, born of an intimate upheaval: the discovery of the sanctuary of Rocamadour, which revived his faith and marked a turning point in his composition. Its extreme simplicity heightens the emotion of this supplication, where humility intertwines with imploration.

“A requiem as gentle as I am,” Gabriel Fauré once said. Far removed from Verdi’s drama or Mozart’s solemnity, his Requiem is a work of light and tenderness. Written after the loss of his parents, it expresses not the terror of death, but a peaceful vision of the hereafter. With its pared-back lines and endlessly gentle harmonies, Fauré offers music that seems to soothe the soul and reach towards a horizon of hope.

This programme unfolds as an inward journey, beginning with Poulenc’s Litanies à la Vierge Noire, a simple yet fervent prayer born of a profound personal upheaval: his discovery of the sanctuary at Rocamadour, which rekindled his faith and marked a turning point in his musical writing. Its extreme simplicity intensifies the emotion of this supplication, where humility meets heartfelt pleading.

Echoing this spiritual quest, Thierry Escaich’s Ecce Pulchra es continues the tradition of French sacred music. Written in homage to Rocamadour’s Black Madonna, the work’s shimmering harmonies celebrate inner beauty and the light that resides within each of us.

Carried by the warmth of the voices and the expressive richness of the organ, this programme traces a journey from sorrow towards luminous serenity. Here, death is not a tragic ending, but a peaceful release, a passage towards peace. More than a concert, it is a moment of contemplation and consolation, an invitation to let our deepest emotions resonate.

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Past show(s)
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Program

Francis Poulenc (1899 – 1963) Litanies à la Vierge noire
for female choir and organ

Thierry Escaich (b. 1965) Ecce Pulchra es
for choir and organ

Francis Poulenc Quatre petites prières de Saint François d’Assise
for a cappella choir

Gabriel Fauré (1845 – 1924) Requiem
for baritone and soprano solos, choir and organ

Improvisations on the organ between the pieces